Most recent exhibition
At the Art Gallery of Burlington, Lee Chin Gallery from April 20th to May 21th 2018
The theme for the All Guilds Show is Journey.
My piece combines both fibre and pottery that depicts a mental journey.
I'll let the words of this poem explain:
Moment by Moment
Let me rise. Fall. Rise again.
Reach for colour, the surface, the healing light.
I fall. Rise. Fall again, into the darker underneath.
Where tears are windows into the broken raw despair.
Drowning in the red soul tapestry, while chaos lays its gifts upon the ground.
Let me, rise again.
All Guilds Show, AGB, 2017
The Escarpment Blues by Sarah Harmer was our theme that year. My piece is of 3 vultures, clay, that hang from the ceiling, keeping a vigil over the escarpment.
All Guilds Show, AGB 2015
The Potters' Guild chose the book of poetry, A Bee Garden, by Marilyn Gear Pilling, which was to be our inspirational springboard to making a piece for this exhibit.
The poems dealt primarily with the suicide of the Author's neice and her father who suffered from dementia. I had a really difficult time with these poems. They are beautiful, but they hit close to home. I too, had a loss due to suicide. In 2006 my nephew hung himself. He was just 15 years old. I am also seeing my father in a long decline with dementia.
But, when I read "V Threnody for Bethany" one line jumped out at me: "She asks the poppy and it gives her a small box of black seeds." In the poem, the girls mother is asking why. Why did this happen? No one has answers.
I am rather a literal person and almost immediately I envisioned the box, the seed heads and a felted piece of flowering poppies. I wanted to represent the full circle of life with my piece: the seeds, the buds and flowers, the dead seed heads and back to the seeds. She asks the poppy and it has nothing to give her but seeds. Seeds of hope, of new life. Not to replace, but to honour what came before. The poppy is the flower of remembrance. It's red petals also symbolize blood. I used a lot of red, yellow and orange silk fibres in the flowers so they would look shimmery and alive, in stark contrast to the box and seed heads.
2002, Burlington Potters’ Guild, Celebrations in Clay: In the Garden
2006, Burlington Potters’ Guild, Celebrations in Clay: Hog Wild
2007, Burlington Potters’ Guild, Celebrations in Clay: Bent out of Shape
2010, Burlington Potters’ Guild, Celebrations in Clay: Variations
2011, Burlington Potters’ Guild, Celebrations in Clay: Year of the Forest
2012, Burlington Potters’ Guild, Celebrations in Clay: Cluster
2014, Burlington Potters’ Guild, Celebrations in Clay: Texture
2014, Potters' Guild of Hamilton and Region, Biennial Exhibition: Glazed Over, Carnegie Gallery, Dundas, ON
2015, Burlington Potters' Guild, All Guilds Show, AGB Burlington
2016, Burlington Fibre Arts Guild, All Guilds Show, AGB Burlington
2017, Burlington Potters' Guild, All Guilds Show, AGB Burlington
2018, Burlington Potters' Guild & Burlington Fibre Arts Guild, All Guilds Show, AGB Burlington
2006 Celebrations in Clay: Hog Wild; Best Adaptation of Theme
2009 Kaleidoscope of Art; Honourable Mention
2011, Celebrations in Clay: Year of the Forest; Best in Show, OCC Design Award
2012, Kaleidoscope of Art; Honourable Mention
2014, Celebrations in Clay: Texture; Best Functional Award
2015, All Guilds' Show/Celebratons in Clay: Best Non-Functional Award
2016, All Guilds Show: Best Adaptation to Theme.